GeneralJist said:
Question: Is nostalgia as big in the FPS community than it is in other communities?

Sadly yes.

Arena Shooter: gone.

Narrative FPS: gone.

Retro / Boomer shooter: gone.

All that's left is Call Of Duty, Battlefield, Fortnite. Which is all multiplayer only, basically.

So nostalgia is all we have, and only indies serve the niche. Games like Dusk, Amid Avil, Prodeus. They are very good, but it could be more of it… ; )

Notice Dusk is really amateurish in some ways. Really poor graphics. But it's probably the most known / successful FPS game of modern time. I did not want to play it, because it looks so bad. But then i've tried it anyway due to lack of alternatives, and it's super fun. I'm happy the dev is already working on another game.

Then we have a whole lot of indie FPS games with 2D sprite enemies currently. At least the devs seemingly think that's popular. Prodeus for example uses sprites as default, but you can change it to 3D models in gfx options. The option is hard to find, but makes it a much better game. (It's pretty perfect.)

3D Realms has some yearly show about their games in development. (Better than Game Awards). Some use the original Quake, Doom, or Build engines. Ion Fury or the upcoming Selaco for example. Or look at the recent Bolt Gun, which also uses 2D characters.
For me that goes to far. I don't want to go back to such extreme technical limitations, and usually i reject such games. But due to lack of alternatives… some times i have to accept even that. : /

It's maybe worth to look at newer AAA FPS too, because it tells us what true innovations have added to the table:

Titanfall (i know only 2): Wallruns and parkour movement.

Doom Eternal: Added basic Melee combat (glory kills - basically just a gory execution animation on a button press, ‘pausing’ the rest of the game for a second.)

Both games are great, but the new mechanics violate the ‘easy to learn, hard to master’ principle. To me that's just complexity bloat and annoying. I don't want those new mechanics and can't enjoy them. Same for cover mechanics as in Gears of War.

A similar thing is hyper cool John Woo karate movement skills and bullet time effects, first introduced with Max Payne. So far i have not seen a single game where this really worked well. Controls tend to become complicated for no real win. The recent El Paso maybe is an example for such games.

A good example of innovation is Dishonored, which i personally consider the last great FPS.
They added lots of special abilities.
Usually i truly hate this. Control for example. They have a levitation ability, but you have only one button to control both lift off and landing. It's terrible. I was constantly falling to death by accident. It was so bad, i did not even gave Alan Wake 2 a try after that, assuming the devs became just incompetent to make a playable game.

But Dishonored was somehow great. One special ability was to become a rat. And being the rat you could traverse narrow passages, e.g. the network of drain pipes in a building. Traversing the place this way gave me volumetric mental model of the scene, solving the primary ‘missing oversight’ problem of FP games to quite some degree.
If you look for innovations, i would recommend Dishonored.

But interestingly we saw the most progress by doing the opposite of adding new features: Removing the ability to shoot.
Penumbra did this. It's basically a narrative FPS but you can not shoot. You can only run and hide.
And the game has coined the Indie Horror genre, becoming only really popular with their follow up game, Amnesia.
But maybe it was also the first Walking Simulator in some sense. So a single game gave us actually two new genres.
Beside the reduction they also added a new and innovative feature: A realistic and robust physics interaction model, putting HL2 to shame.
It's really an underdog, but imo the most innovative and immersive game of all time.

JoeJ said:

But the genre is dead. Not because modern AAA studios fail on it, but because it's just done. It's over, like Rock'n'Roll.
You can't do it any better. No way.
If you want to do better, you have to do something different.

There is a lot of truth to that. The formula we have has been polished to seemingly near-perfection, and although there still is room for incremental improvements. diminishing returns have definitely set in.

But innovation is by definition surprising; if you could predict new ideas you'd have them already. It would be shocking if there aren't a few fundamental idea left that we haven't stumbled across yet in the FPS space. I doubt they will appear first in AAA projects though, since those have become so risk-averse.

JoeJ said:

Arena Shooter: gone.
Narrative FPS: gone.
Retro / Boomer shooter: gone.

The hero shooter has taken over from the arena shooter.

Aren't most AAA games more narrative than game these days? Which would you consider the last great narrative FPS?

There's been so many boomer shooters over the last few years, from Prodeus to Boltgun, and increasingly esoteric indie shooter show no sign of stopping?

What do think of new gameplay modes? Extraction shooters, battle royale, and whatever the hell Gray Zone Warfare is going to be classified as. That's probably something where we can continue to come up with ideas for a long time.

Brian Sandberg said:
But innovation is by definition surprising; if you could predict new ideas you'd have them already. It would be shocking if there aren't a few fundamental idea left that we haven't stumbled across yet in the FPS space. I doubt they will appear first in AAA projects though, since those have become so risk-averse.

Haha, yes. And actually, sitting here discussing FPS game design ideas, i do not feel like a dev. I feel like a gamer, who thinks he could do anything better, planning design ideas just in his imagination and assuming it would be just awesome. :D

That's not how it works, to me at lest. The process is coding the game as intended, then i see it does not work. But i might also see something else works or feels promising. So i abandon my initial design idea and follow the new path, to see where it takes me.

It's basically a random walk. But i guess you can't do this for a billion dollar AAA production either, so the AAA industry follows the same fate than their audience: They degrade to wannabe game designers, who think they could plan a video game on paper, then let others care about implementation details afterwards.

Brian Sandberg said:
The hero shooter has taken over from the arena shooter.

Ah yes. I forgot some other things too, just because they are not on my personal radar.

Brian Sandberg said:
Which would you consider the last great narrative FPS?

Maybe my definition is personal, but quite precise: HL is not a narrative FPS to me. The classical example is Singularity. In this game you are lonely. You arrive at some military research facility, where something went wrong. You pick up story fragments in from of notes. You read them if and when you want. There is a lot of environmental storytelling too, like in HL. But this can't tell an actual narrative. The collectable text / audio logs do this. They tell the story, and you put it together like a puzzle in your imagination. Only video games can implement such form of story telling.

That's what narrative FPS means to me. It does not interrupt gameplay, like cutscenes do. The player has full control of consuming story, and it's technically optional. (It's also cheap to produce.)
Modern AAA games are a lot about story telling, but they do so like Hollywood. And why not? People have just shitty gamepads, so an immersive experience is not possible anyway, and it's no big problem to interrupt gameplay.

And this gives us the hungry niche of former single player FPS players. They don't want to consume entertainment, they want an experience.

Brian Sandberg said:
There's been so many boomer shooters over the last few years, from Prodeus to Boltgun, and increasingly esoteric indie shooter show no sign of stopping?

Yes. It's not enough, but there are still new and good games to find. I still call it ‘dead’, but i just tend to exaggerate to make a point.

Brian Sandberg said:
What do think of new gameplay modes? Extraction shooters, battle royale, and whatever the hell Gray Zone Warfare is going to be classified as. That's probably something where we can continue to come up with ideas for a long time.

I'm already out of date. Just recently i asked myself: What the fuck is an ‘Extraction Shooter’? Idk.
Because i do not play MP anymore, i guess. I've played a lot of LAN MP Quake 3 and later some Quake Live over internet. That's awesome, and worth it's own discussion, but personally i just focus on single player design topics all the time.

However, i've noticed the ‘shrinking circle’ in PUBG, to shrink the map and enforce a winner in Battle Royale.
That's a brilliant idea ofc. If you can come up with such ‘surprising innovation’, you may be a made man. : )

Edit:

Brian Sandberg said:
Which would you consider the last great narrative FPS?

Scorn. So that's not too old. :D

RmbRT said:
Replying to the initial question: How to innovate FPS? I think there has been a shift towards more realistic war games in FPS. However,

Basically you propose more realistic body and weapon physics for an innovation of FPS?

But there are some problems you did not address…

RmbRT said:
But in all FPS out there, you can just jerk around 180° without losing precision.

Yes, because they are FPS games. That's all they can do.

RmbRT said:
Have you ever held a gun?

If i do this, i can feel the weight of the gun and it's acceleration. Same for my arms and the entire body. I can feel my movement in the real world.

But i can't feel this for a virtual avatar while actually sitting static, clicking buttons and observing a screen. No haptics, no weight, no acceleration. And because i can not feel the physics of some accurate in game gun and arms simulation, my experience becomes something else: I feel lag and latency. I no longer feel able to interact with the game directly and instantly. I no longer feel like being in the game myself.

And thus we no longer talk about the first person experience which the FPS genre is known for.
I would even say such realism feels simply bad in any first person game, and so your ideas force you on using third person perspective instead.
In TP you do not play as yourself, you play a character. And because you observe your character while doing so, the realistic physics you propose become predictable to the player. That's not yet a solution of the lag problem, but a step into the right direction.

Or, ofc. you can make a VR FPS game, where most of the things you propose have been done already.

Sometimes the reason certain ideas don't exist is not because nobody had this idea yet, it's just that the idea does not work.

But your thoughts are not irrelevant. I think about this a lot too. But interestingly i do not see them as an opportunity to innovate, i rather see them as the biggest problem i have to solve. I have not played RDR2, but i remember people complained it feels laggy due to the more realistic animation. Maybe a good example. We really want better animation, but doing it causes a lot of problems regarding the loss of direct control. It seems you overlook this issue.

RmbRT said:
And yes, you technically have similar mechanics already on controller or VR games, but those are enforced by the input device, not by the game. You can simply make a PC game have the same restrictions as if you were using a VR setup or a controller to play it.

The VR controllers do not ‘enforce’ limitations. They allow the player to move the gun as fast as he can, and the game maps this input 1:1 to its simulation. So there is no lag, beside technical limits such as latency,
But you intend to enforce limitations, and they will feel like that.
Did you make such prototype? And it feels good?

Personally i'm not ready yet to do this. My ragdolls can't hold a gun and aim it. I'm still busy with keeping them balanced and making them walk. But i could for example mount the camera to the ragdolls head body, and map mouse input to head rotation. I have never tried this, because i'm absolutely sure it's terrible.
I remember some dev talk about Star Citizen. They have tried this, but it was bad. The solution was to place the camera at a stable point ignoring animated head movements, and culling the head model from rendering in FP, so it does not clip the view. That's what everybody is doing, because it's the only thing that works. Replacing head animation with more predictable simulation won't change anything here.

But there is another, similar but minor problem where i have actual experience: Holding and carrying objects, e.g. the cubes in Portal. If those objects are physically simulated, it is difficult to make them follow a fast camera rotation without too much lag.
The a typical solution is to set their velocity directly, but then we loose the advantage of physics simulation. The physics engine can no longer solve for velocity itself, and thus the object jitters if it interacts with other objects. I did not want this, so i tried to control it only by using force. There is a standard solution for this as well. Physics engines usually have some kinematic joint, which tries to move objects to a given target position / orientation. But those joints are (for good reasons) not smart. Meaning, they drive towards the target as fast as possible by applying allowed maximum force. This causes to have the object at a high velocity when it hits the target. So it will overshoot and keep moving, oscillation forth and back around the target. The impression is again laggy (i lack a better term) and inprecise. The solution for me was a custom smart joint, introducing a given target velocity (usually zero), which starts to decelerate in time so it stops at the target as intended. The results feel very good, not any worse than setting position or velocity directly. I can also move my object with a gizmo, and it feels like positioning objects in a program like 3Ds Max. I still have a limitation on max acceleration to keep things stable, but under practical conditions it's not noticeable, and i'm happy.

However, if i set the max acceleration to a low value, e.g. to realistically model weight of a heavy gun, it feels just laggy and like a limitation again. Many games added such a penalty for heavy guns, e.g. slowing player movements and mouse sensitivity down, and yes this works.
But it works because the effect is predictable to the player. The effect is simple, like head bobbing an early FPS games. A simple sine wave. Not realistic, but predictable.

Head motion of a character you can not see is not predictable. Complex motion of a limb made of multiple bodies to hold a gun is not predictable. Because you can't feel this simulated limb, because it is not your limb. You never complained or thought about missing limbs in Doom, but now, after introducing realistic simulation, you will complain.

I do not think we can overcome those limitations with software, so we have to accept them, and design within and around those limits.
We can do an impressive simulation of physics, plus photorealistic visualization, etc., if we want. But we can not surpass the hard limits imposed by the fact that the player is not in our game for real. There is no way currently. Not even VR gets there, due to missing haptics, a sense of acceleration, and more. And there is no Holo Deck in sight. But that's what you would need to make your ideas work well, i'm afraid.

RmbRT said:
And I acknowledge that it's an annoying mechanic. However, permadeath in a roguelike is also annoying

That's comparing apples with oranges, really.

But maybe i'm wrong… : )

JoeJ said:
But i could for example mount the camera to the ragdolls head body, and map mouse input to head rotation. I have never tried this, because i'm absolutely sure it's terrible.

RDR2 actually does this AFAIK for the first-person view, at least for position if not rotation. I played it exclusively in first person and it's alright (the controls, game is great). There's a little bit of “lag” but it's not that bad. It seems like a more realistic control system than most FPS. The animation in that game is pretty incredible. It seems like a mix of motion capture used to drive physically-simulated ragdolls, kind of like it uses physics constraints to keep the skeletons aligned with animation, rather than driving the skeleton directly with animation. This way the animations never do anything physically incorrect, and allows physical interaction to affect animations.