Original Post
This is a brilliant film, for those who haven't seen it. And for those who have, I'm sure you find it just as relevant and fresh today as it did almost 20 years ago when it came out. One thing I'm trying to clarify is the take on cosmetic surgery put across by the film. In the final nightmare sequence you have the two fairly shocking images, one of his mother appearing far younger (and scarily like Jill, adding to the shock-factor); and also of the skinless body of the other lady who visited the "acid man" for her treatment. What exactly is Gilliam try to show here? I'm taking this as whereas there might be an apparant immediate improvement in the way people act and make themselves appear - not just in a physical appearance - portrayed by the mother, it will at the same time totally destroy you - or your individuality? I also notice, quite clearly, that in Sam's nightmare in the concrete 'maze' is a pile of rubble, in which is a blue neon lamp in the shape of a Christian cross. Is this relevant, does it have a meaning, or is it just part of the set? Something else I'm interested in is the USA version; I've seen the UK edition that starts with a shot of a shop displaying televisions advertising the ducts of "Central Services" being blown up and ends on a long shot of a comfortably numb Sam Lowry in the torture seat - apparantly the USA version starts and ends differently. Maybe it reveals more... or confuses it more, I'm not sure. Basically; am I reading too far into this film? Do you think it's still relevant today?