Finalizing Audio For Game

Hello,

Mastering is the last step in preparing the music for its final application.

Most music we hear has little dynamics, I'm sure you've heard of the term "Loudness War" - basically every pop/rock track that's supposed to air on the radio is mastered for the purpose of going head to head with all the other tracks.

With game music it's a different thing. You've already mentioned a certain similarity between game music and film music: picture yourself meticulously scoring a track to a cinematic scene - the music can end up having a lot of dynamics, which is actually desirable in this case. Mastering this with the same hard multi-band compression and limiting approach as the pop/rock music would be quite counterproductive.

Another thing to think about is playback systems: while mastering engineers for movies have the big cinema speakers in mind, we game people need to consider the music might get played back by the tiny speakers of an iPad - and still needs to be audible.

That said, for game music I don't outsource the mastering process but rather do it myself: I don't need the biggest most artfully compressed "sausage wave", I simply need to make sure it sounds good on the system it needs to sound good on and has the dynamics needed for the scene/level/menu screen/whatever. Giving that job to someone else would make me lose some of the control of the overall sound.

The mastering process's sonic influence is overrated in my opinion: a weak mix will sound weak even after the best mastering, and a good mix will sound good even without mastering.

Cheers,
Moritz

I agree with Moritz. It's all about the mix. If that ain't done right then mastering doesn't help that much. I haven't used any mastering services myself. I just use Izotope's Ozone for my mastering needs.

Thanks guys, that makes a lot of sense.

I agree with Moritz too, very good points.

We recently did all the audio by ourselves to a title we are about to release (http://www.gamedev.net/topic/619961-need-help-in-choosing-a-name-for-my-upcoming-game/).

I feel that mastering for game music is not well developed, especially if it is made for non-PC devices or handhelds.

The missing tool that I'd like to have is a VST or some plugin that simulates the output of a device such as the iPhone. Or even better, a setup that will stream the audio output from the audio software directly to the device itself in real time - this way it'll be much easier to tweak the sounds and volume/compresing etc.

Cheers,
Guy

The missing tool that I'd like to have is a VST or some plugin that simulates the output of a device such as the iPhone. Or even better, a setup that will stream the audio output from the audio software directly to the device itself in real time - this way it'll be much easier to tweak the sounds and volume/compresing etc.

You can set up a pair of small cheapo multimedia speakers next to your studio monitors as a reference and toggle them with a monitor controller switch.

The missing tool that I'd like to have is a VST or some plugin that simulates the output of a device such as the iPhone. Or even better, a setup that will stream the audio output from the audio software directly to the device itself in real time - this way it'll be much easier to tweak the sounds and volume/compresing etc.

I also wanted a nicer way to preview audio in the devices, and you just gave me a nice idea for a VST, I'll give it a try this weekend.

[quote name='GetLastError' timestamp='1328862687' post='4911596']
The missing tool that I'd like to have is a VST or some plugin that simulates the output of a device such as the iPhone. Or even better, a setup that will stream the audio output from the audio software directly to the device itself in real time - this way it'll be much easier to tweak the sounds and volume/compresing etc.

I also wanted a nicer way to preview audio in the devices, and you just gave me a nice idea for a VST, I'll give it a try this weekend.
[/quote]
Sounds good! How are you planning on tackling this, via impulse response?

To other composers, do you use master bus EQ or compression on your tracks?

I'm not all into the loudness war thing and crushing the dynamics because I know that takes the emotion out, I make hip hop/rap beats and I still don't do that

But what do you do to give your audio track that final crisp and sparkle that's ready to go into a game?

Hey Lavontae,

Why don't you post this in the recent thread about mastering? Would have been a perfect fit.
Maybe Nate could merge the two topics? (EDIT: Thanks Nate! )

But what do you do to give your audio track that final crisp and sparkle that's ready to go into a game?

Depending on what the track needs, I either use the PSP VintageWarmer, iZotope Ozone or both in combination.

The PSP VintageWarmer is for coloring the track with a bit of drive, while Ozone is a very neutral tool. I usually don't try to "fix the mix" - if I've done a good job selecting good timbres and blending them well, all that's really needed on the mastering bus is a bit of EQ and a bit of multiband compression, mostly to deal with the lower frequencies and to add a bit of air, and a limiter to bring things up to a good loudness level.

I'm not all into the loudness war thing and crushing the dynamics because I know that takes the emotion out, I make hip hop/rap beats and I still don't do that

The great thing about the down- to mid-tempo break beats you hear in rap music is that you can compress really hard and turn them up really loud and they'll still have good dynamics because they usually involve single hits/short notes/good amounts of silence in-between that keep the music alive.

Cheers,
Moritz

Done and done.

[quote name='GetLastError' timestamp='1328862687' post='4911596'] The missing tool that I'd like to have is a VST or some plugin that simulates the output of a device such as the iPhone. Or even better, a setup that will stream the audio output from the audio software directly to the device itself in real time - this way it'll be much easier to tweak the sounds and volume/compresing etc.

I also wanted a nicer way to preview audio in the devices, and you just gave me a nice idea for a VST, I'll give it a try this weekend. [/quote]

Please let me know when it's out

I've gone thru lots of mastering tutorial videos for Logic Pro. They were usually for more rock oriented stuff with the "loudness war" multi-band processing. I was confused by why they were doing this until I researched a little more. Since I was mostly doing rock music (not game music) this stuff worked just fine.

I'd assume the other stuff I saw in those tutorials is still valid, taking out some of the real low frequencies, using a limiter, etc.

My question is, what does something like Ozone (which I'm considering buying) do for me besides these things I've learned to do myself.

My question is, what does something like Ozone (which I'm considering buying) do for me besides these things I've learned to do myself.

Of course, Ozone isn't a one-click wonder machine - but it's a good all-in-one combination of several very neutral sounding tools and well-programmed analyzers.
You can try it out, too - iZotope has a demo on their website.

[Of course, Ozone isn't a one-click wonder machine - but it's a good all-in-one combination of several very neutral sounding tools and well-programmed analyzers.

After watching some tutorials of Ozone4, I'm definitely getting it! I have learned to do some of these things in Logic but it seems like a much more logical workflow and it simply sounds great.

You have the mix there in front of you so your mastering chain should really be minimal.